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I originally bought a Mac Mini because I wanted to try Logic and it was the cheapest way in. While I agree with you that PT limits your choices, Logic certainly does, too. The question is not sound anymore, it's not stability (much), in terms of Logic vrs PT it's not a matter of the plugins available (I think VocAlign was the last to jump on board but they are here now), it's whether you get along with the interface and from what I understand Logic makes you work a little harder than PT because it's simply a deeper program with more options. These days I never even think about it and find Cubase immensely confusing. When I first migrated from Cubase in the late 90s there were plenty of stuff that I liked better in Cubase. The automation in Logic works very well for me but I am a Logic user. With flex, grouped and locked take-folders, quick swipe etc I can't see that as an argument not to buy Logic.Īs for mixing, I don't know. The reverse-phase test has been performed over and over through the years and there was, not surprisingly, silence as a result.Īnyway look at it like this you have to hold creativity up against audio-editing which isn't really superior in PT anymore but like the better sounding mixes it's a rumour that won't die. I've tried many times over the years to get back into ProTools but find it very restrictive, and the editing is very cumbersome - always got the wrong tool in my hand (as the boss's wife was saying last night )Ĭome on not that again. It's much easier to be creative in Logic, and I find it much easier to edit, with the right tool being only an Esc-Click away. When I got into Logic in the early 1990s, using TDM harware, it was like a magic cave of opportunity opened. It was a great extra tool to run alongside a multitrack tape, and brilliant for assembling radio commercials, flying in choruses etc.
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So either no-one cares, or the difference is so slight or imaginary that it's not worth bothering with.Īs for ProTools v Logic: I worked with the very first versions of ProTools - when it was two separate applications (ProEdit and ProMix). Just a simple test of laying up, say, 12 tracks at unity gain and bouncing. In all this time, no-one has ever done a reverse-phase test of two mixes to see if there is any audible difference. In ProTools user groups - and other groups who do not use Logic, for example mastering engineers - the rumour is that "Logic sounds better than ProTools". Interestingly, it only surfaces on Logic user groups. The old "ProTools sounds better than Logic" contention has been going round for a decade at least. All these add up to a more satisfying mixing experience. Of course, now I have many other reasons to prefer mixing on the PT rig at the studio: better speakers (that's a huge reason), different plug-ins that I don't have at home etc., as well as a feeling of comfort with writing automation in PT that I don't feel when I'm working with Logic - I'm conversant with the automation techniques in both, and I find Pro Tools quite a bit less fiddly to work with. I could be out to lunch, or perhaps I had some other undetected alteration in the signal chain, but that was my experience, so I always believed it was the mathematics of the signal processing that work better in Pro Tools. I did a side-by-side comparison, laying up stems from a Logic composition at unity gain in a new Logic song and in a new Pro Tools session I bounced the result out, and I thought the Pro Tools version sounded clearer, cleaner and more transparent than the Logic version. When I had to learn Pro Tools for work, I bought an MBox and taught myself on my home computer. But am I missing something? Should I perhaps have both? I honestly can't imagine a better DAW than Logic 9, which I love dearly. How, when it comes down to it, does it compare to Logic? Or should they be compared at all? Is it really all that everyone says it is? Never really seen it other than a few screen caps and in music stores. All I wanted to know, does it work with Logic.Īnyway, long story longer-I've never used Pro Tools. Mackie's release this year of firewire mixers that work with Pro Tools was heralded as a huge breakthrough, blah blah blah. It is, and has been for some time, the industry "standard." Yet everywhere you turn, all you seem to hear out there is Pro Tools, Pro Tools, Pro Tools. Logic to me is everything a DAW should be and much, much more.
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#LOGIC VS PRO TOOLS DRIVER#
I started with Cakewalk through Sonar 2, moved on to Cubase/Nuendo, then finally got tired of dealing with all the PC driver issues and switched to Logic, starting with 8 and am now using 9. I've used most of the major DAWs in my time.